Through abstraction, I explore the underlying structures of the world—its symmetry, proportion, and rhythm as pathways toward balance. Drawing on Jungian theory, I consider how these external patterns echo internal ones, revealing the subtle relationships between nature, consciousness, and the subconscious. In this space, painting becomes a way for the inner world to meet the outer one in symbolic form and color.

Themes of grief, illumination, and cyclical renewal shape my practice. I look to nature’s rhythms as mirrors of the psyche, where growth and dissolution, attachment and release, exist in continual interplay. The work becomes a site of ritual and revelation, a process through which awareness emerges and the possibility of transformation, and healing, opens.

A daily meditation practice of more than fifteen years informs both the sensibility and the precision of my process. The repeated act of refining edges, balancing forms, and guiding the composition into clarity echoes the meditative return of attention to the present moment. This dynamic of constraint and release, focus and flow, is embedded in the paintings themselves—a visual record of seeking equilibrium.